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"So it is really, Mrs. Geoffrey, you know," says Nolly, placing his hand on her other shoulder to give her a second shake. "Nick's quite right. Don't take it to heart; don't now. You might as well say the gunsmith who originally sold him the fatal weapon is responsible for this unhappy event, as—as that you are.",

"Oh, of course," returns she, with a sudden accession of animation. "I have often seen it. That is where the young English gentleman is staying for the shooting.",

"You jest," says Mona, full of calm reproach. "I mean how strangely people fall into one's lives and then out again!" She hesitates. Perhaps something in his face warns her, perhaps it is the weariness of her own voice that frightens her, but at this moment her whole expression changes, and a laugh, forced but apparently full of gayety, comes from her lips. It is very well done indeed, yet to any one but a jealous lover her eyes would betray her. The usual softness is gone from them, and only a well-suppressed grief and a pride that cannot be suppressed take its place.,

And Lady Rodney is very willing that it should be obliterated. Just now, indeed, it is a favorite theory of hers that she could never have been really uncivil to dear Mona (she is always "dear Mona" of late days) but for the terrible anxiety that lay upon her, caused by the Australian and the missing will, and the cruel belief that soon Nicholas would be banished from the home where he had reigned so long as master. Had things gone happily with her, her mind would not have been so warped, and she would have learned at once to understand and appreciate the sweetness of the dear girl's character! And so on.

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"He was a man who never took off his hat," begins Geoffrey.,

Then the chief ghost walked out of the lodge and shouted out for a feast, inviting the man's father-in-law and other relations who were in the camp to come and eat, saying, "Your son-in-law invites you to a feast," as if he meant that the son-in-law had died and become a ghost and arrived at the camp of the ghosts.,

"Now I am quite, quite happy," says Mona, and, rising from her knees, she goes back again to Geoffrey, and stands beside him. "Tell them all about last night," she says, looking up at him, "and the secret cupboard.",

"He may be, of course," she says. "But I don't like to see a gay child like you sitting still. You should dance everything for the night."